After embarking on the “RE
Project”, I read Rebecca Solnit’s Field
Guide to Getting Lost excerpt. Although I found Wim Wender’s reading
intriguing, Solnit’s writing had an interesting almost retrospective effect on
the work. I left for Capitol Hill armed with what I thought would be
groundbreaking ideas and excited for a show I had tickets for. I had everything
mapped out on my phone and in my head. After about an hour of photographing
various areas of East Pike, dodging panhandlers and tourists, my boyfriend
trailing behind, I grew discouraged. Nothing was turning out how I hoped. I put
my phone away in temporary defeat and wandered into a local bar for cheaper
drinks than the ones offered at the venue. I walked in and was welcomed with a
poorly stocked bar, a cash only sign, an odd smell, and dollar bills peeling
off the decrepid ceiling, reminiscent of many dives back home. The bartender
proved to be an interesting character, rings on every finger, tattooed, and
obviously disenchanted with the whole place, and most likely the city. I wanted
to just capture at least one glimpse of the impression the area had left me
with. I didn’t want to capture store fronts or neons or gutterpunks languidly
lying on sidewalks. After expressing my plight to “Ryan in case we needed
anything”, we decided a photo of his hands on the aging bar would be ideal.
Before I knew it, he pulled out a knife from his pack pocket and stabbed into
the bar, folding his hands. “That’s the shot.” He told me, instructing on an
appropriate angle. As the evening wore on, I didn’t have a chance to glance at
the photo I had taken. When I got home, I finally made it to the camera on my
phone. It perfectly captured everything I took away from the area. It
demonstrated the dirty, sometimes menacing, but intriguing value of the east
side. After reading the Solnit reading, it all collided into sense. She states,
“The art is not one of forgetting but of letting go.” I let go of all my plans
and produced something way different and unexpected but valuable.
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